Buffy Takes the Long Way Home

by Greg "The Undead Rat" on May 12, 2012

“The thing about changing the world . . . Once you do it, the world’s all different.”

Buffy The Vampire Slayer Season Eight: The Long Way Home

TITLE:

BUFFY THE VAMPIRE SLAYER SEASON EIGHT: THE LONG WAY HOME

WRITER:

by Joss Whedon

ARTISTS:

by Georges Jeanty (Pencils)
Paul Lee (Guest Pencils)
Andy Owens (Inks)
Dave Stewart (colors)

SERIES:

Buffy The Vampire Slayer Season Eight: The Long Way Home Vol. 1
Buffy The Vampire Slayer Season Eight comics #1-5

PUBLISHER:

Dark Horse Books

GENRE:

Graphic Novel (collection), Horror, Humor, Fiction

DESCRIPTORS:

Saving the World, Demonic Invasion, Military, Magic, Revenge, Torture, Underground Worlds, Look-Alike, Disguised,

CHARACTERS:

Buffy Summers, The Vampire Slayer who is leader of an army of vampire slayers.
Willow Rosenberg, Buffy’s friend who is also a witch.
Xander Harris, Buffy’s friend and former loser who has grown up.
Dawn Summers, Buffy’s sister.
Giles, Formerly Buffy’s Watcher, the only known Watcher left alive.
Andrew, Formerly a bad guy, he has reformed and leads a squad of slayers . . . sort of.

SUMMARY:

Once there was a council of Watchers that kept an eye on demonic activity and stored mystical lore that might be needed to save the world. Once there was a slayer — one young woman who inherited supernatural power, agility and the ability to kick vampire butt. But slayers inherited their power upon the death of the previous slayer and did not last long.

However, Buffy changed all of that. In season seven — the final season of the televised program — she shared her power, distributing it among eighteen hundred potential vampire slayers; young women who were slayers-in-waiting.

Now she leads an army of slayers against an upsurge of vampire and demonic activity. However, demons have become the least of her problems.

The military has taken an interest in eliminating Buffy and her slayers. To that end they’ve enlist a pair of horrors from Buffy’s past — possibly the only two survivors of the implosion that turned the town of Sunnydale into a crater. A deal is struck and an assault is leveled against the Scottish castle where Buffy’s squad resides.

But the target turns out to be — not Buffy — but Willow.

This first story arc introduces us to the name of the “big bad” of Season Eight: Twilight.

This first collection ends with a stand alone story about one of three slayers who volunteered to have themselves surgically altered to look like and pose as Buffy. This nameless woman descends into an underground labyrinth — home to myriad of creatures and demons.

She earns their trust, posing as Buffy, and teaches the creatures to band together into a protective community. When the time comes, she makes a stand against a demonic hoard to protect the other non-human denizens.

APPEAL:

The events in this series of comic books take place 6 months to a year after the series finale of the television show: Buffy the Vampire Slayer. As the show ran for seven seasons, this comic book series is called Buffy the Vampire Slayer Season Eight to easily distinguish it from all the other Buffy comics published by Dark Horse.

The stories assume you’ve watch the television series. If you haven’t, they provide a quick explanation or a flashback to bring you up to speed, but it does make for a richer experience to have seen the series.

Buffy creator Joss Whedon wrote the scripts for the first batch of stories collected in this trade paperback. The first four stories form an arc introducing the big bad menace for Season Eight called “Twilight”. Next is a single issue story about the life of one of the slayers who was made to look like, and pass as Buffy.

The characterizations are spot-on and pure Buffy. From the unique use of vocabulary to familiar characters, in new and uncomfortable (for them) roles. Some new characters are introduced, especially Slayers who will get their stories as the season continues.

One difference from the television show is that Joss isn’t limited by a budget or the state of special effects technology. So he can open up the story with an attack of a squadron of slayers on three very big and very ugly demons.

READALIKES:

Nothing is quite like Buffy the Vampire Slayer, so the best readalikes are the other Dark Horse collections of Buffy the Vampire Slayer. You could start with the Omnibus collections: Buffy the Vampire Slayer Omnibus, Vol. 1, Buffy the Vampire Slayer Omnibus, Vol. 2, Buffy the Vampire Slayer Omnibus, Vol. 3, Buffy the Vampire Slayer Omnibus, Vol. 4, Buffy the Vampire Slayer Omnibus, Vol. 5, Buffy the Vampire Slayer Omnibus, Vol. 6, and Buffy the Vampire Slayer Omnibus, Vol. 7.

Buffy The Vampire Slayer Season Eight: The Long Way Home

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28 Days Later: The Aftermath

by Greg "The Undead Rat" on April 28, 2012

“Glad to do whatever I can to contribute to the horror show.”

Steve Niles presents three stories that takes place before the movie 28 Days Later and the last one which takes place between 28 Days Later and 28 Weeks Later. Elements of the first three stories come together in the fourth.

Remember, if you are interested in this graphic novel or the movies, click the mouse on the book cover or movie titles to order it from your local CLEVNET library.

28 Days Later: The Aftermath by Steve Niles

TITLE:

28 DAYS LATER: THE AFTERMATH

WRITER:

by Steve Niles

ARTISTS:

by Dennis Calero, Deigo Olmos, Nat Jones and Ken Branch

SERIES:

28 Days Later: The Aftermath Mini-series #1-4

PUBLISHER:

Fox Atomic Comics

GENRE:

Horror Fiction, Graphic Novel (Collection), Adventure.

DESCRIPTORS:

End of the World, Rage Virus, Fast Zombies, Horror, Comics, Prequels, Survival, Anger

SUMMARY:

Four stories written by Steve Niles, known for horror comic books like his 30 Days of Night series. In this four issue collection, he brings together three stories of the Rage Virus before the events in the first movie 28 Days Later and wraps it up with surviving characters in all three stories brought together in a fourth and final story that takes place after 28 Days Later and sets up the movie sequel 28 Weeks Later.

Stage One: Development is the story of how the Rage Virus was created – c’mon, you knew it was man-made didn’t you? It’s the tale of two scientists trying to isolate the neuro-chemicals that trigger aggression in humans and find a way to block them or reduce their effectiveness. Both scientists have their own issues with anger management – one flies off the handle when provoked while the other is preternaturally calm. How they compromise themselves well before and after the virus is developed held my attention in the story since the outcome was . . . inevitable.

Stage Two: Outbreak is the story of a family of five celebrating a birthday in the park when the outbreak occurred. It was one of those precious family moments you never forget until Liam, the youngest child is attacked and bitten by a strange monkey. In minutes the rest of the family finds themselves fighting for survival. The days of precious family moments are over.

Stage Three: Decimation takes place 29 days later when London is decimated by the Rage Virus and only a few lone humans remain, making war on the infected. Hugh Baker suits up everyday and hunts the infected. He’s learned quite a lot about how they track and kill prey. He knows how to safely take them down. However, when his gun jams at a critical moment and he gets a last-minute save from another lone human hunter it is not appreciation but outrage that Baker feels . . . then he begins to hunt the human . . .

Stage Four: Quarantine occurs sometime after the events of the first movie and sets up the second movie. Survivors from the first three stories find themselves gathered together in a mysterious quarantine camp. They have no idea who is running the camp or why or what their final fate may be. It seems like the Rage Virus may not be the only thing they have to worry about.

APPEAL:

In all four stories, Steve Niles tells self-contained stories of death and survival. Like the best zombie stories, they show some of the best and the worst sides of humanity under extreme pressure. And they tell a good story — especially when you consider that these stories had to begin and end in the span of one comic book issue.

The artwork is very good. In reading comics, the art is as much a part of the story telling as the dialogue. All of the artists painted beautiful pictures which told the story. They had clean lines save for Nat Jones who brought a dark grunginess to his deep-in-the-epidemic tale. All of them, including Jones, were easy for the reader to interpret.

The only problem was that three different artists worked on the first three stories and then one returned for the last story. He has to work on three characters we’d met in the two stories that he didn’t work on and probably hadn’t seen. If there was a weakness, it was identifying the familiar characters in the last story.

This was a good quick read and a nostalgic trip for those of us who enjoyed the movies about the Rage Virus.

28 Days Later: The Aftermath by Steve Niles

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